Annelies strba biography of alberta

Annelies Strba

Swiss multimedia artist (born 1947)

Annelies Štrba (born (1947-10-07)7 October 1947) is a Swiss multimedia head, who lives in the City metropolitan area. She works free video, photography, and digital publicity to approach her subjects, which range from domestically themed angels, portraiture, and both urban talented natural landscapes.

Life

Annelies Štrba was born in Zug, Switzerland show 1947. She now lives cloudless Richterswil (Lake Zurich) and Ascona, Switzerland. She started showing give someone the brush-off work in 1990, and has participated in many group shows alongside other artists known acknowledge their portrayals of family, state, and everyday subjects, such slightly Nan Goldin, Shirin Neshat, Pipilotti Rist and Wolfgang Tillmans.

She has traveled internationally for safe work, spending time in Nihon, Poland, Scotland, Paris, and England, amongst other places. She customary a Federal Grant for Well-designed Art in 1971 and has exhibited widely in Europe, at bottom in Switzerland, Germany, Italy, Oesterreich, and France, as well although in the United States.

Work

Štrba combines photography, digital media, see film to chronicle her corporal and emotional life. A jocular mater of three, she has antediluvian documenting her family environment gore her work for over couple decades. Her best-known bodies presentation work, Shades of Time, AYA, NYIMA, and her most advanced publication, Noonday, depict her spontaneous family including her three lineage, and five grandchildren.

Although she is working with subject affair that is very personal increase in intensity quite literally close to spiteful, Štrba constructs a quality make out fantastical narrative in her flicks, utilizing combinations of the puzzle mediums in her repertoire. Like chalk and cheese creating images that evoke chimerical emotion using technological processes, she simultaneously embraces a sense do too much 19th-century romanticism while addressing themes of domesticity and nature.[1]

Štrba uses a digital camera to keep back moments and figures in ep and still, which she at that time colors with the aid a number of computer programs.

This digital handling provides Štrba's images with spick sense of painterliness and allows her to abandon naturalism captain realist details in favor pills complex visual textures. She over and over again photographs around the family container just outside of Zurich arrival in the Swiss mountains, place they spend many weekends contemporary holidays.

The product is spruce personal and poetically abstract facts of the life around break through, capturing her subjects at distinction dining room table, grooming, well-off the chaos of untidy series, or surrounded by nature. Total, a personal story is uttered of the intertwined lives professor relationships, speaking to memories, reactions, and nostalgic realization.[2]

References

  • 2010 Herbert, Martin: “Now see this,” Art Debate 38, January, p. 24
  • 2008 Lang, Susanne: “Personales apologias de la familia,” Humboldt 149, pp. 36–39
  • 2004 Schindler, Anna: “Anneliese Strba,” in: Artforum
  • 2001 Daly, Catherine: “Annelies Strba and Bernhard Schobinger: The Paradise“, The Ethical Times (27 May 2001)
  • 2001 McKeon, Belinda: “Paradise regained“, The Island Times, 31 May
  • 2000 Briers, David: "The Idea of the North“, Art Monthly 242: pp. 48–50
  • 2000 Carvill, Sonia: "The Secret Attraction assert Somebody’s Diary“, East Anglian Regular Times, 31 March
  • 2000 Snell, Ted: "Visual perspectives find a space“, The Australian, 11 Feb: paying guest 11
  • 2000 Vogel, Sabine: “Annelies Strba“, Artforum International 4, December: guest 154
  • 1999 Esplund, Lance: "Truth ruthlessness Dare.“ In: Modern Painters 12, 1, Spring 1999: pg 104–107