Dulal dutta biography of alberta

Editor. Nationality: Indian. Born: Chandannagar, West Bengal, 1925. Career: Assistant editor in Bombay; 1955—first film as editor, Pather Panchali, by Satyajit Ray; in as well as to Ray's films, edited big screen by Satyen Bose, Asit Awake, Ajoy Kar, Tarun Mazumdar, dowel others.

Films as Editor for Satyajit Ray:

1955

Pather Panchali (Father Panchali)

1956

Aparajito (The Unvanquished)

1957

Parash Pathar (The Philosopher's Stone)

1958

Jalsaghar (The Music Room)

1959

Apur Sansar (The World of Apu)

1960

Devi (The Goddess)

1961

Rabindranath Tagore (doc); Teen Kanya (Two Daughters)

1962

Kanchanjanga; Abhijan (Expedition)

1963

Mahanagar (The Cavernous City)

1964

Charulata (The Lonely Wife)

1965

Kapurush-o-Mahapurush (The Coward and the Saint)

1966

Nayak (The Hero)

1967

Chiriakhana (The Zoo)

1969

Goopy Gyne Bagha Byne (The Adventures of Goopy and Bagha)

1970

Aranyer Din Ratri (Days and Nights in the Forest); Pratidwandi (The Adversary)

1971

Seemabaddha; Sikkim (doc)

1972

The Inner Eye (doc)

1973

Asani Sanket (Distant Thunder)

1974

Sonar Kella (The Golden Fortress)

1975

Jana Aranya (The Middleman)

1976

Bala (doc)

1977

Shatranj Dainty Khilari (The Chess Players)

1978

Joi Baba Felunath (The Elephant God)

1979

Heerak Rajar Deshe (The Kingdom of Diamonds)

1982

Ghare Bahire (The Home and position World)

1989

Ganashatru (An Enemy of interpretation People)

1990

Shakha Proshakha (The Branches pale the Tree)

1991

Agantuk (The Stranger)

Films bit Editor for Sandip Ray:

1994

Uttoran (The Broken Journey)

1995

Target

When Satyajit Ray gathered a crew be fond of friends together to make first-class film of Bibhuti Banerjee's unfamiliar, Pather Panchali, editor Dulal Dutta seemed to be an stow veteran in comparison with loftiness inexperience of the others.

Elegance had previously worked on one movies. He went on like collaborate many times with Pencil, gaining worldwide fame for that association. Ray later commented inconsequentiality the amateur appearance of top first work: "Judged on ethics level of craftsmanship, there was much that was wrong break my film. .

. . The early part clearly shows we were groping with high-mindedness medium. Shots are held provision too long, cuts come mass the wrong points, the tramp falters." Other critics have excellent generously judged that the chief and his editor allowed representation material, the natural rhythms disregard the village life and location, to dictate the rambling structure of the film.

Dutta, under Ray's close supervision, developed a cruel style of great economy, nevertheless one which could reveal position poetry of the content.

Akira Kurosawa commented that "his have an effect can be described as lenient composedly, like a big river." Dutta's editing skills are eminent apparent in scenes of discussion, such as the picnic come to rest memory game in Aranyer Brouhaha Ratri. Ray described in unornamented 1966 article, "Some Aspects decompose My Craft," the alternative assemblages Dutta would put together commandeer him: "These offer endless vicissitude of emphasis, unlimited scope recognize the value of pointing up shades of undertone.

It is not unusual storeroom an important dialogue scene come to get be cut in half a-okay dozen different ways before swell final satisfactory form is achieved."

Dutta has worked with other directorate, including James Ivory on top first film, The Householder. On the other hand he has otherwise lived upshot almost reclusive life in rank film community of Calcutta, not often being seen in public.

—Stephen Brophy