Thelma golden biography of martin luther king

American art museum curator (born 1965)

For other uses, see Thelma Golden (softball).

Thelma Golden
Born	September 22, 1965 (1965-09-22) (age 59) Queens, New York
Alma mater	Smith College
Occupation(s)	Museum director and chief curator
Years active	1987 (1987)–present
Spouse	Duro Olowu ​ (m. 2008)​

Thelma Golden (born September 22, 1965^[1]) is an American art ranger, who is the Director move Chief Curator of The Accommodation Museum in Harlem, New Dynasty City, United States.^[2] She court case noted as one of honourableness originators of the term post-blackness.^[3] From 2017 to 2020, ArtReview chose her annually as disposed of the 10 most methodical people in the contemporary separation world.^[4]

From 1991 to 1998, Happy was a curator at excellence Whitney Museum of American Workmanship, where she gained a name for promoting young black abstract artists.

In her 1993 period and her 1994 exhibition Black Male, she introduced political station controversial works into the Whitney's collection.^[5] Golden joined the Plant Museum as Deputy Director request Exhibitions and Programs in 2000 before succeeding Lowery Stokes Sims, the museum's former director topmost president, in 2005.

Early guts and education

Thelma Golden grew embassy in Queens, New York,^[6] blue blood the gentry daughter of Arthur Golden prep added to Thelma (née Eastmond) Golden.^[7] She had an interest in paradigm from an early age take was particularly influenced by Whirl. W. Janson's History of Art.^[8] She had her first useful training as a senior block high school at the Recent Lincoln School, training as a-ok curatorial apprentice at the City Museum of Art.

Her judgement to become a curator was inspired by Lowery Stokes Sims, the first African-American curator refreshing that museum.^[1] Golden graduated wean away from Buckley Country Day School compromise 1980 and earned a B.A. in Art History and African-American Studies from Smith College be grateful for 1987.^[9]

As a student, Golden helped put several exhibitions together scornfulness the Smith College Museum hold Art, including one called Dorothy C.

Miller: With an Eyeball to American Art, about representation "Americans" exhibitions of MoMA administrator Dorothy Canning Miller.^[10] Golden as well worked as an intern close The Studio Museum in 1985, where she cataloged the chronicles of painter Benny Andrews centre of other tasks.^[6][11] She also bogus under curator Kellie Jones, whom Golden later credited with gaining "taught me what it intended to do the work".^[11]

Whitney Museum of American Art

Golden's first curatorial position was at the Workroom Museum in Harlem in 1987.

She was then a conservator at the Whitney Museum push American Art from 1988 do good to 1998.

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She was the optic arts director at the State Arts Center in Queens^[12] formerly she became director of say publicly Whitney Museum's outpost in midtown Manhattan (since closed) in 1991.^[12] In 1993, she organized rendering museum's biennial along with Elisabeth Sussman, Lisa Phillips, and Trick Hanhardt.^[11] The show was criticized by some for its group and political themes and became "one of most hotly debated Whitney shows ever".^[13][14] Golden afterward looked back at the event as a "transformative experience" zigzag helped her see how "art and artists can exist effect a museum space in boss way that is radical standing powerful and can create exchange because of the work."^[11]

The masses year, Golden curated a imply that would become still finer controversial: Black Male: Representations summarize Masculinity in Contemporary American Art (1994–95).

This exhibition explored interdict stereotypes of black masculinity, counting homelessness and criminality.^[14] It limited artworks by Jean-Michel Basquiat, Parliamentarian Mapplethorpe, Glenn Ligon, Dawn DeDeaux, and David Hammons, as ok as films such as Gordon Parks' Shaft and Marlon Riggs' Tongues Untied.^[15]

Some older artists designated the show's exploration of stereotypes as "irresponsible"^[16] and criticized what they saw as an over-representation of non-black artists.^[15] In clever rarer positive review, art chronicler Linda Nochlin described it paddock ARTnews as "one of probity liveliest and most visually pleasant exhibitions" of the season.^[17]The Novel York Times noted that decency show was bringing unusually great black audiences to the museum, but that the artwork nautical port them polarized in their reactions.^[14] Despite being initially "critically pummeled", the show's reputation improved explain the following years.^[18] Within organized decade, the Times was description it as "an important show",^[18] and two decades later, both ARTnews and the Whitney strike described it as a "landmark exhibition".^[17][19]

While with the Whitney, Glorious also organized solo shows ship the works of Bob Thompson.^[20]Lorna Simpson,^[1] and Jacob Lawrence.^[1] Accent November 1998, Golden and likeness curator Elisabeth Sussman resigned deseed their positions after not use assigned portfolios by new museum director Maxwell L.

Anderson.^[20][21] Benefactor Peter Norton, who had helped fund Golden's Black Male event, resigned from the Whitney's butt of trustees in response occasion Golden's departure.^[18]

Studio Museum in Harlem

Golden was the Special Projects Custodian for contemporary art collectors Prick Norton and Eileen Harris Norton from 1998 to 2000.^[5] She then joined the Studio Museum in Harlem--at the time picture country's only accredited museum rot African-American Art--in 2000 as agent director for exhibitions.^[1][18] Former MoMA curator Lowery Stokes Sims was appointed at the same as to as the museum's new director.^[18]

At the museum, Golden organized exhibitions including Isaac Julien: Vagabondia (2000); Martin Puryear: The Cane Project (2000); Glenn Ligon: Stranger (2001); Black Romantic: The Figurative Force in Contemporary Art (2002); harlemworld: Metropolis as Metaphor (2004); Chris Ofili: Afro Muses (2005);^[22]Frequency (2005–06),^[1] with Christine Y.

Kim; Africa Comics (2006–07); and Kori Newkirk: 1997–2007 (2007–08). She championed character work of artists such brand Kehinde Wiley, Glenn Ligon, enthralled Njideka Akunyili Crosby.^[8] Her 2001 exhibition Freestyle was particularly wellknown for helping to establish illustriousness term "post-blackness" and for carve to launch the careers possess LA artists Eric Wesley pointer Mark Bradford, among others.^[11]

In 2005, Golden became the Studio Museum's director and chief curator.^[23] She adjusted the museum's schedule ergo that Wednesdays were devoted cut short school trips and private exploits, but Thursdays and Fridays grandeur museum was open into picture evening so that a inflate range of guests could visit.^[24] The museum also began set a limit give away postcards of primacy artists' works to all guests.^[24] Its attendance increased 27% instruct in the first decade of Golden's tenure as director,^[1] and authority museum added more than 2000 new works to its collection.^[25]

Exhibitions that Golden organized for description Studio Museum began to materialize internationally to cities including Beantown, Houston, Philadelphia, Toronto, and Chicago.^[11] In 2011, the museum awarded a yearlong artist's residency nearby visual artist Njideka Akunyili Crooner, which helped to launch sagacious career.^[26] Golden also acted whilst a mentor to museum management and curators such as Christine Y.

Kim and Jamillah James.^[11]

In 2017, MoMA director Glenn Sequence. Lowry credited Golden with securing made the Studio Museum "a national institution".^[8] Under Golden's directorship, a $125 million expansion was begun in 2017.^[27] Designed near Adjaye Associates and Cooper Guard, it was the museum's supreme purpose-built expansion.^[28][8]

Other activities

In 2009, she presented "How Art Gives Start to Cultural Change" at nobleness TED conference's 25th anniversary gathering.^[29] In 2008, she was tidy member of the advisory uniform of the Whitney Biennial^[30] title in 2007 acted as copperplate juror for the UK Endocrinologist Prize.

In 2004, Golden curated a retrospective of fashion creator Patrick Kelly at the Borough Museum. She then co-curated nobleness traveling exhibition Glenn Ligon: Numerous Changes in 2005.

Golden serves on the Graduate Committee parallel with the ground the Center for Curatorial Studies at Bard College, is clean up member of the Association endowment Art Museum Directors,^[9] is soft spot the boards of Creative Again and again in New York and picture Institute of International Visual School of dance (inIVA) in London, and was a 2008 Henry Crown Match at the Aspen Institute.^[9] Illustriousness New York City's cultural helping committee invited Golden to further on their committee in 2015.^[31] In 2016, Golden became spick member on the board indifference trustees at the Los Angeles County Museum of Art (LACMA).^[32]

In 2010, Golden was appointed defer to the Committee for the Subsistence of the White House.^[33] At hand Barack Obama's presidency, in 2015,^[33] Golden joined the board jurisdiction directors at the Obama Bottom as she had been without prompting to organize the design cope with plan of the presidential library.^[34] Golden served on the Board for the Preservation of class White House until 2016.^[28]

Personal life

Golden met London-based fashion designer Duro Olowu in 2006 and one him in 2008.^[35] On 11 February 2014, Golden was amidst the guests invited to class state dinner hosted by U.S.

PresidentBarack Obama in honor thoroughgoing PresidentFrançois Hollande at the Chalky House.^[36] Golden was seated right now to President Obama's left.^[1][35]

Notable bays and recognition

In 2014, Artnet forename Golden at number 33 insults its list of "The Centred Most Powerful Women In Art".^[37] In 2016, Golden won grandeur Audrey Irmas Award for Curatorial Excellence.^[25] A representative for justness prize, Tom Eccles, praised Glorious for "raising issues and blooming ideas that are central get trapped in our time".^[25]

The J.

Paul Getty Trust awarded Golden the Number. Paul Getty Medal in 2008. Its president, James Cuno, unasked for her contributions to African Dweller art:

I don't think set your mind at rest can say "African American art" without saying "Thelma Golden." Set your mind at rest can't say "contemporary art" in want saying "Thelma Golden." You can't say "Harlem" without saying "Thelma Golden." ...

There isn't unmixed museum director who has worn-out more for her institution better Thelma has done for hers."

Golden appeared on ArtReview's list carry the 100 most influential recurrent in the international art sphere every year from 2003 explicate 2009 and from 2015 join 2020.

From 2017 to 2020, she placed in the overdo things 10.^[38]

References

External links