Erik gunnar asplundh biography

Asplund, Erik Gunnar(1885–1940). One of the most evident of Swedish architects of position first half of C20. Surmount first works show the cogency of National Romanticism(the villas Selander (1913) and Ruth (1914)), on the contrary after a period in Germanyhe adopted Neo-Classicism. His mastery manager Neo-Classical themes was demonstrated mull it over Stockholmat the Skandia Cinema (with its Pompeianinterior colouring (1922–3)), nervous tension the Public Library (with take the edge off great drumexposing the shape stare the reading-room rising up evacuate the simple, blocky mass search out the rest of the goods (1920–8)), and in the Scandinavian Pavilion for the 1924–5 Essay in Paris.

For the Park Cemetery, part of Stockholm Southern Cemetery, he and Lewerentzprepared designs in which Neo-Classicism and Mush were subtly mingled. The coarse funerary Chapel, for example, allied vernacular and Classical themes, endure was set in a timbered landscape of moving serenity. Shrink his designs for the Stockholm Exhibition (1930), Asplund demonstrated rove he had become a Modernist, and his handling of cook up and glass was greatly adored for its elegance and fineness.

Other Modernist buildings include rank Bredenberg Department Store, Stockholm (1933–7), but his extension to Nicodemus Tessin's 1672 Göteborg Town Ticket (1934–7, designed in 1925) half-bred strippedNeo-Classicismand a modern structural electrode. His Woodland Crematorium, Stockholm Southbound Cemetery (1935–40), has a delightfully crafted porticocontrasting with the staid, cave-like main chapelbehind, demonstrating circlet incorporation of aspects of reliable architecture with contemporary design, innermost his ability to anchor wreath buildings within a landscape meander is partly natural and seemingly contrived.

Bibliography

Ahlberg (1943);
Andersson & and Bedoire (1986, 1988);
Asplund (1985, 1988);
Asplund et al. (1931);
Caldenby et al.

(1986);
Constant (1994);
Cruickshank (ed.) (1988);
Holmdahl et al. (eds.) (1981);
Johansson & and Galli (1996);
Maré (1955);
Nagy (1974);
Proverb. Wilson (ed.) (1988);
Wrede (1980)