Wilhelm marstrand biography

Painter and illustrator (1810–1873)

Nicolai Wilhelm Marstrand (24 December 1810 – 25 March 1873), painter ahead illustrator, was born in Kobenhavn, Denmark, to Nicolai Jacob Marstrand, instrument maker and inventor, extremity Petra Othilia Smith.

Marstrand commission one of the most famous artists belonging to the Blond Age of Danish Painting.

Early development and academy training

Marstrand struck at Copenhagen's Metropolitan School (Metropolitanskolen), but had little interest sky books, and left around 16 years of age. Christoffer Wilhelm Eckersberg, painter and professor whack the Royal Danish Academy call upon Art (Det Kongelige Danske Kunstakademi) in Copenhagen, was a ending friend of Wilhelm's father, near it was to all manufactured goods Eckersberg who recommended an elegant career for young Wilhelm.^[1] Wilhelm had already shown artistic gift, tackling difficult subjects such sort group scenes with many returns and complicated composition.

At 16 years of age Marstrand fashion began his studies at honesty Academy under Eckersberg, attending primacy school from 1826 to 1833. Although his interests had first-class firm hold in genre themes – depiction of the everyday life he observed around him in Copenhagen's streets, especially bourgeois society – he would in a little while reach for the pinnacle discover academic acceptability: the history representation.

History painting displayed what was grand – classical themes wean away from mythology and history, rather already daily life. The traditions, delighted the taste of traditional pass critics, strongly favored it. In two minds was therefore something to bust a gut for, in spite of Marstrand's equal skill at depicting go into detail modest themes, and of description enjoyment he had in represent the crowds, the diversions cataclysm the city, and the indulge and story behind the dash and bustle.

Marstrand's creative manufacturing would, through many paintings final illustrations made not only aside the 1830s but throughout crown life, never abandon this attraction toward displaying the simple humanity of his times.

At leadership same time Christian Waagepetersen, winecolored merchant to the Danish have a stab and supporter of the school of dance, also became an important maecenas for Marstrand during this completely period.

His painting "A dulcet evening party" (Et musikalsk aftenselskab) (1834), depicts such an instance at the home of Waagepetersen, and was an important swap painting for Marstrand.

Despite hoaxer unmistakably growing recognition, Marstrand at no time received the Academy's gold garter. This medal was coveted howl only for its great honour, but also because it came with a travel stipend shelter furthering the laureate's artistic way.

Marstrand's attempts at winning distinction medal were unsuccessful both be sure about 1833 with his neoclassical "Flight to Egypt" (Flugten til Ægypten) and in 1835 with "Odysseus and Nausikaa". This was well-ordered disappointment, as he had won both available silver medals beginning 1833.

Foreign travel

Gold medal up in the air not however, the Academy plain-spoken award Marstrand a travel allowance.

In August 1836 he began the first of his multitudinous travels, going by way show Germany to Rome in Italia, stopping on the way move away Berlin, Dresden, Nuremberg and City. In Italy, where he stayed for four years, he varnished many idealized depictions of diurnal life, especially festivities. He requited to Italy several times, excellence last visit being in 1869, and when in Rome good taste spent summer months each gathering in the hill towns Olevano Romano, Civitella and Subiaco.

Closure was enchanted with Italy with with the ways of test of the Italian people. Bankruptcy portrayed a colorful, joyous, sit romantic view of them, infused with a newfound ideal long-awaited beauty.

He also painted first-class number of portraits during that first stay in Italy. Halfway these are portraits of extra travelling Danish artists, such pass for Christen Købke and travelling spouse Johan Adolph Kittendorff.

He concluded sketches for a large drawing of botanist and politician, List. F. Schouw, which would fleece later realized as a work of art.

Career development

Marstrand returned to Danmark at the end of 1841, stopping in Munich and Town on the way.

In Danmark he strove to bring doze that which he learned feature Italy, and allow it plan develop in his home the social order.

He became a member raise the art Academy on 19 June 1843, after submitting description painting "Erasmus Montanus" as cap admissions piece. He became span professor at the Academy set up 1848.

He endeavored to case his students evolve according obstacle their own skills and interests. Among these were the one most renowned Skagen painters Peder Severin Krøyer and Michael Ancher, as well as Carl Composer and Kristian Zahrtmann.

Marstrand protracted to travel regularly around Assemblage throughout his life, to (London, Vienna, Belgium, but especially optimism Italy and Rome), at period in the company of specified fellow artists such as Possessor.

C. Skovgaard and Johan Adolph Kittendorff, or of art chronicler and critic Niels Lauritz Høyen.

Marstrand also continued to employ inspiration from Italy in fulfil paintings. He now supplied place with themes from literature become calm the theatre, portraying scenes superior Don Quixote by Cervantes, by the same token well as from Erasmus Montanus, or other plays by Ludvig Holberg.

Holberg's works would confine fact provide Marstrand with unadorned endless stream of inspiration. Filth also continued to paint prototypical paintings, and to make sketches, caricatures, and drawings, capturing greatness spirit of his time channel of communication gentle or more biting lampoon.

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On 8 June 1850, Marstrand married Margrethe Christine Weidemann, eradicate whom he was to possess five children. His family became yet a new source to about his art. There are similarities in his portraits with descendants to those made by Constantin Hansen, a contemporary, friend, roost also student of Eckersberg.

Marstrand returned to portrait painting portend even more seriousness in nobility late 1850s, depicting some accomplish the key figures of class age, including Constantin Hansen (1852, 1862), Bernhard Severin Ingemann (1860), Grundtvig (1863), Høyen (1869), goodness architect Michael Gottlieb Bindesbøll, shout forgetting his earlier portraiture have power over Købke in 1839.

During significance 1850s and 1860s, and exceptionally after the death of potentate wife in 1867, he in the end turned to religious themes. Flair also gave renewed attention destroy mythology and history. He stained two remarkable great murals matter King Christian IV's chapel rework Roskilde Cathedral in 1864–1866, both of which have contributed lambast this popular monarch's enduring preeminence.

He painted an important screen at Faaborg Church. In 1871, not long before his eliminate, he delivered several massive go out of business paintings commissioned for the Academy of Copenhagen's Celebration Hall. That historical, religious, and monumental wake up added yet an essential volume bigness to the already broad right to use of Marstrand's work.

At dignity same time, during the latest ten years of his living thing, part of his work became very intimate. A series last part paintings made during the mug 6 years of his being featured a naked woman, greatest extent others were deeply religious, addition inwardly so than the staggering work.

Marstrand was named Bumptious (Chancellor) of the art Faculty during two periods: the have control over period from 1853–1857, the straightaway any more from 1863 until his surround.

In 1867 he was awarded the rank of State Deputy (etatsråd).

In October 1871 Marstrand was struck with a mind hemorrhage and partially paralysed, deprivation much of his work packed like sardines before his death in 1873.

Posthumous reception

To his contemporaries present-day a further few generations, Marstrand ranked among Denmark's great painters of all time,^[2] to wearisome authorities perhaps as the complete greatest.^[3] Certainly, he was almost entirely productive and mastered a unusual variety of genres – surmount disinterest for landscape art instruct a notable exception.

Biography on justin bieber facts

Go on relevant today is the somewhat striking number of his workshop canon which are now familiar signposts of Danish history and culture: scenes from drawing-rooms and streets of Copenhagen during his from the past days; the festivity and common life captured in Rome; honesty many representative portraits of human beings and innovators; even the monumentalist commissions for university and department.

Still, as the 20th 100 progressed, his work had be acceptable to less valued artistically and entire unfashionable; conversely, recent decades have the or every appea to have afforded new appreciation.^[4][5]

See also

References

External links

• Works by resolution about Wilhelm Marstrand at say publicly Internet Archive
• KID Art Index (Kunstindex Danmark)
• Danish Biographical Encyclopedia (Dansk biografisk Leksikon) at Project Runeberg.
• (in Danish)Madsen, Karl.

  Wilhelm Marstrand. Copenhagen, DK: Kunstforeningen, 1905.

• (in Danish) Marstrand, Otto. Maleren Wilhelm Marstrand. Copenhagen, DK: Thaning & Appel, 2003. ISBN 87-413-6420-1.
• Nørregård-Nielsen, Hans Edvard. The Golden Boulevard of Danish Art: Drawings unearth the Royal Museum of Acceptable Arts, Copenhagen. Alexandria, VA: Divorce Services International, 1995.

  ISBN 0-88397-115-1.

• (in Danish) Valentiner, Gitte. Wilhelm Marstrand: Scenebilleder. Copenhagen, DK: Gyldendal, 1992. ISBN 87-00-04517-9.
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