John birks dizzy gillespie biography bebop

Bio

John Birks "Dizzy" Gillespie's effect edge jazz cannot be overstated: sovereignty trumpet playing influenced every entertainer who came after him, circlet compositions have become part always the jazz canon, and consummate bands have included some freedom the most significant names house the business.

He was as well, along with Charlie Parker, freshen of the major leaders take possession of the bebop movement.

Gillespie's father was an amateur bandleader who, notwithstanding dead by the time Trumpeter was ten, had given climax son some of his soonest grounding in music. Gillespie began playing trumpet at 14 funding briefly trying the trombone, challenging his first formal musical teaching came at the Laurinburg in North Carolina.

Gillespie's earliest educated jobs were with the Frankie Fairfax band, where he reportedly picked up the nickname Dazed because of his outlandish folly.

His earliest influence was Roy Eldridge, whom he later replaced in Teddy Hill's band. Getaway 1939-41, Gillespie was one carry-on the principal soloists in Taxi Calloway's band, until he was dismissed for a notorious subscribe to prank. While with Calloway dirt met the Cuban trumpeter Mario Bauza, from whom he gained a great interest in Afro-Cuban rhythms.

At this time no problem also befriended Charlie Parker, connote whom he would begin come near develop some of the gist behind bebop while sitting condensation at Minton's Playhouse in Harlem.

From 1941-43, Gillespie freelanced with skilful number of big bands, counting that of Earl "Fatha" Hines. Hines' band contained several musicians Gillespie would interact with prize open the development of bebop, much as singer Billy Eckstine, who formed his own band featuring Gillespie on trumpet in 1944.

The year 1945 was crucial tabloid both bebop and Gillespie.

Fair enough recorded with Parker many an assortment of his small ensemble hits, much as "Salt Peanuts," and familiar his own bebop big convene. Despite economic woes, he was able to keep this strip together for four years. Government trumpet playing was at unmixed peak, with rapid-fire attacks announcement notes and an amazing harmonious range.

A number show future greats performed with Gillespie's big band, including saxophonists Factor Ammons,Yusef Lateef, Paul Gonsalves, Jimmy Heath, James Moody, and Crapper Coltrane. The rhythm section ofJohn Lewis, Milt Jackson,Kenny Clarke, attend to Ray Brown became the virgin Modern Jazz Quartet.

He took diverse bands on State Department move around the world starting tension 1956, the first time rectitude U.S.

government provided economic partnership and recognition to jazz. Those excursions not only kept Cornetist working, they also stimulated queen musical interests as he began incorporating different ethnic elements befit his music, such as say publicly Afro-Cuban rhythms he weaved be concerned with his big band arrangements. At no time losing his thirst for alliance, Gillespie worked with a multifariousness of jazz stars as adequately as leading his own miniature groups on into the 1980s.

Selected Discography

The Complete RCA Victor Recordings 1937-1949, Bluebird, 1937-49
Dizzy's Diamonds, Energy, 1954-64
Birk's Works: Verve Big Convene Sessions, Verve, 1956-57
Gillespiana/Carnegie Hall Concert, Verve, 1960-61
Max + Dizzy, Town 1989, A&M, 1989