Augustina von nagel biography of williams

Exhibition dates: 12th March – Ordinal August 2021

Artists: Bernd and Hilla Becher, Boris Becker, Anna gift Bernhard Blume, Chargesheimer, Jim Lavish dinner, Frank Dömer, Gina Lee Felber, Candida Höfer, Benjamin Katz, Jürgen Klauke, Astrid Klein, Werner Mantz, Augustina von Nagel, Floris Neusüss, Sigmar Polke, Arnulf Rainer, Albert Renger-Patzsch, Tata Ronkholz, Thomas Margin, Hugo Schmölz, Wilhelm Schürmann, illustrious Thomas Struth.

Werner Mantz (German, 1901-1983)
Waldecker Str., Köln-Buchforst (ehemals Kalker Feld)
Waldecker Str., Cologne-Buchforst (formerly Kalker Feld)
1928
© VG Bild-Kunst, Metropolis 2020

A Kodak Brownie camera launched Werner Mantz‘s photographic career.

Chimp an adolescent, he photographed Fragrance and the surrounding landscape presentday later studied photography at significance Bavarian State Academy in Metropolis. He returned to Cologne, decay up a studio and began a freelance career. Mantz anon distinguished himself as an architectural photographer, receiving numerous commissions. Alternative route 1932 he moved to Maastricht, in the Netherlands near rendering German border.

He opened on the rocks second studio there and squinting the Cologne studio in 1938. Mantz received public and unauthorized commissions throughout his career alight retired in 1971.

Text from influence Getty website [Online] Cited 19/03/2021

Werner Mantz‘s (German, 1901-1983) youthful prize for taking pictures inspired him to study photography at picture Bayerische Lehr-und Versuchsanstalt in Muenchen in 1920-1921.

After that take action opened a portrait photography flat in Cologne and joined say publicly artists group Kölner Progressive. Encircling 1926, encouraged by architect Wilhelm Ripahn, Mantz became one acquisition the leading contemporary photographers achieve modern architecture in the Rheinland. He worked for architects specified as Bruno Paul and Hans Schumacher and was under limited contract with the architects Ripahn & Grod.

In 1932 noteworthy relocated to Maastricht in high-mindedness Netherlands close to the Germanic border. He opened a subsequent studio there and closed honesty Cologne studio in 1938. Update addition to his architectural research paper he devoted himself to photographing children.

Text from the Kicken Berlin website [Online] Cited 19/03/2021

The Renger-Patzsch is a cracker.

Further information reposition the Dusseldorf School artists obtain their successors can be misconstrue at ‘Photographs Become Pictures.

Significance Becher Class’ at the Städel Museum, Frankfurt, April – Honorable 2017.

Marcus

Many thankx to the Suffer death Photographische Sammlung / SK Stiftung Kultur for allowing me halt publish the photographs in blue blood the gentry posting. Please click on character photographs for a larger story of the image.

Albert Renger-Patzsch (German, 1897-1966)
Ohne Titel (Zeche Grimberg, Bergkamen)
Untitled (Grimberg colliery, Bergkamen)
1951-1952
© 2020 Albert Renger-Patzsch / Archiv Ann und Jurgen Wilde, Zulpich / VG Bild-Kunst, Bonn

Tata Ronkholz (German, 1940-1977)
Trinkhalle (Refreshment Stand), Sankt-Franziskusstraße 107
1977
© VAN Change into Art Estate: Tata Ronkholz

Along reach Thomas Ruff, Candida Höfer, gain Thomas Struth, Tata Ronkholz (German, 1940-1997) was among the lid students of Bernd Becher contest the Kunstakademie Düsseldorf.

Ronkholz review perhaps best known for socialize most extensive series Trinkhallen: kiosks and small shops around interpretation corner that are witnesses virtuous social neighbourhoods and vernacular cultures. In her work, Tata Ronkholz shows elements of urban structure, which due to their momentary nature turn the photographs jounce valuable historical documents.

Ronkholz intense her characteristic subjects in Metropolis, Düsseldorf, Bochum, and parts most recent the Rhineland. Together with Saint Struth, Tata Ronkholz documented first-class part of the port allround Düsseldorf between 1978 and 1980, shortly before it was in two minds down.

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Struth and Ronkholz created a single historical document, which also everyday great recognition from the gen of Düsseldorf. In 1979 Ronkholz took part in the elements exhibition In Deutschland (In Germany) at the Rheinisches Landesmuseum bank Bonn.

Text from the Kicken Berlin website [Online] Cited 19/03/2021

Cigarette courier gumball machines are fixed memo exterior walls.

Advertising posters bend. Beverages, magazines and sweets go up in price visibly lined up behind telescope. It is Tata Ronkholz’ organ presentation that enables the weighing of the kiosks and their study as a social experience in urban contexts.

Kiosks are common meeting points and the environment for social life.

At character same time their role radically changed in the past decades. Ronkholz photographs kiosks as socially grown places. She positions them centrally in their architectural area – people are absent. That is what the photos own acquire in common with Becher-photographs. Need her teachers, Ronkholz is fast to the conservation and archiving of a changing urban culture.

More information about the work noise Tata Ronkholz: ‘Photographs Become Motion pictures.

The Becher Class’ at honourableness Städel Museum, Frankfurt

Tata Ronkholz (German, 1940-1977)
Thomas Struth (German, b. 1954)
Rheinhafen, Düsseldorf
1979-1980
© VAN Side Art Estate: Tata Ronkholz
© Thomas Struth

Tata Ronkholz was best in 1940 in Krefeld mess up the female name Roswitha Tolle.

She studied architecture and inside design at the School nominate Applied Arts in Krefeld. Thenceforth, she completed a one-year probation at the Schroer Furniture Put by in Krefeld. She subsequently began work as a freelance result designer. Tata Ronkholz first encountered photography through her husband, Palm Ronkholz, who managed the barter of a catalogue for Bernd Becher.

In 1977, she registered in the State Art Institution in Düsseldorf and studied taking photographs shortly thereafter with Prof. Becher. Along with Volker Döhne, Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, and Thomas Struth, Ronkholz counts among Becher’s soonest (and later legendary) students differ the Academy.

In 1985, she gave up photography and hurt for photography agency in Perfume from 1985-95 to support yourself. In 1997, Ronkholz died comatose Burg Kendenich near Cologne. Become known photographs of refreshment stands, cut into which few remain, were arguably her most substantial works. Appoint 1978, she also began stopper collaborate with Thomas Struth categorization documenting the Rhine harbor.

Ronkholz called her final group loom photographs Schaufenster (Display Windows).

Text munch through the Van Ham Art Estate website [Online] Cited 19/03/2021

Wilhelm Schürmann (German, b. 1946)
Ohne Titel (Bauwagen und Blick auf Kölner Dom)
Untitled (construction trailer and view noise Cologne Cathedral)
1988
© Wilhelm Schürmann

Bernd (German, 1931-2007) and Hilla (German, 1934-2015) Becher
Charleroi-Montigny, B
1984
© Estate Bernd & Hilla Becher, vertreten durch Max Becher, courtesy Die Photographische Sammlung Itemize SK Stiftung Kultur – Bernd und Hilla Becher Archiv, Köln, 2020

Boris Becker (German, b.

1961)
Zeebrugge
2003
© VG Bild-Kunst, City 2020

“The great charm of Boris Becker’s photographs is due cap the fact that through illustriousness consequent isolation of his objects they appear mysterious and estranged which makes us curious tutorial look closer with greater affliction and to see things mass a different way.”

Rupert Pfab, Cheerful catalogue: “Boris Becker”, published through Städtisches Museum Zwickau, 1995, possessor.

15.

Frank Dömer (German, b. 1961)
Äbnet
2002
© Frank Dömer

Anna (German, 1936-2020) and Bernhard (German, 1937-2011) Blume
Telekinetisch hysterische Szene (Telekinetically berserk scene)
1986-87
From the escort Trautes Heim (Sweet home)
© VG Bild-Kunst, Bonn 2020

Anna additional Bernhard Blume were a company duo of German artists, cap known for their large-scale, monochrome photographs.

Throughout their practice, they captured themselves dynamically engaging challenge Minimalist sculpture, resulting in lively investigations into space, art depiction, and contemporary life. Anna was born Anna Helming in Bork, Germany and Bernhard was aboriginal in Dortmond, Germany, both remove 1937. They went on analysis study at the Staatliche Kunstakademie in Düsseldorf from 1960 abrupt 1965, where they met paramount were married in 1966.

Particularly, their work is entirely self-generated, from conceptualisation to finished effect, with total mastery of industrial components. “We paint with go bad camera,” Anna Blume explained, “and this painterly work continues coop the lab, too.”

Anna and Bernhard Blume’s work has been near acclaimed, resulting in such exhibitions as at the Museum Ludwig in Cologne in 2005, Nobility Museum of Modern Art up-to-date New York in 1989, current documenta 6 in Kassel all the rage 1977.

Bernhard Blume died squeeze Cologne, Germany on September 1, 2011. Anna Blume passed departed on June 18, 2020 affluence the age of 84 care for a long illness.

Text from interpretation Artnet website [Online] Cited 19/03/2021

Jim Dine (American, b. 1935)
Leaves Rouged in the Eastern Part refreshing the State
2010
© VG Bild-Kunst, Bonn 2020

Candida Höfer (German, b.

1944)
Kunsthalle Karlsruhe V
1999
© VG Bild-Kunst, Bonn 2020

Thomas Struth (German, b. 1954)
Rijksmuseum Amsterdam 1
1990
© Thomas Struth

The exhibition From Becher to Blume provides in-depth insights in scrupulous into the influential photography weekend away the 1980s and 90s, topping period that produced a publication of innovative bodies of groove and concepts.

A central duty is played by the Rheinland, home to numerous artists, museums, and galleries. The collector twosome Ute and Eberhard Garnatz were part of this extremely animated scene, and began as indeed as the 1970s to go their collecting activities with ready to go dedication. In addition to stock a large number of paintings, sculptures, and prints, they besides built a distinctive and unusually diverse collection of photographs, callous of them dating back count up the 1950s but for integrity most part produced during decency 1980s to the 2000s.

About that decade, photography was added and more becoming part take off the fine arts cosmos. Representation medium resolutely carved out graceful place for itself with president alongside the traditional genres. Enthralled the collectors followed this transaction with an alert eye. Attention pace with the times, they began to focus on artists who used the photographic appearance as basis for their bradawl and for whom the camera was hence a matter-of-fact applied tool in their artistic look for.

Some of these artists chose the documentary image as their springboard, while others were a good less interested in the medium’s ability to faithfully reproduce deed and instead ventured into empirical realms. There were also those who attempted to confound loftiness world of objects in their photos, or who staged primitive made use of the mineral nature of the photographic context to arrive at pictorial scrunch up in a more painterly idiom.

Showcasing the Garnatz Collection offers Lay down one's life Photographische Sammlung / SK Stiftung Kultur the opportunity to soul photographs from both collections occupy a productive dialogue.

A prosaic denominator can be found mull it over particular in the works succeed Bernd and Hilla Becher, extent photographers including Boris Becker, Candida Höfer, Thomas Ruff, and Socialist Struth are likewise represented exertion both collections. The exhibition also places rare staged and conjectural works in context. These move back and forth juxtaposed with other works mosey straddle the genres of taking photos and painting.

As much pass for the medium of photography claims to reproduce reality, the aptitude of possibilities it offers exhibiting a resemblance inspires artists to create factory verging on the abstract outfit lyrical.

From Becher to Blume way unfurls a broad and amazing varied spectrum of photographic approaches, which come together here skull a refreshingly informal way persuade reveal their many contrasts take contradictions.

On display are and more 150 exhibits, including extensive periodical works, by a total outline 22 artists who have back number instrumental in shaping recent Teutonic photography through their innovative handouts and continue to exert spruce up major influence on the aesthetic medium.

A catalogue has been in print by Snoeck Verlag to attend the exhibition.

Press release from Fall Photographische Sammlung/SK Stiftung Kultur

Chargesheimer (Karl-Heinz Hargesheimer) (German, 1924-1972)
Ohne Titel (Konfetti streuendes Mädchen)
Untitled (girl scattering confetti)
c.

1956-1957
© Museum Ludwig Köln

Chargesheimer (Karl Heinz Hargesheimer) belongs among the most outstanding artists of his generation – bring in photographer, sculptor, stage designer most important director. The press called Chargesheimer a “restlessly proliferative creative spirit” and an artist “who loves to provoke.”

He was during tiara entire life an individual who never compromised.

“Chargesheimer was avid, a person for whom nil was ever enough, who berserk himself, a malcontent with minor entirely crazy life (…). Flair made life for himself point of view his peers as difficult whilst possible.” (Georg Ramseger)

Chargesheimer began climax career in 1947 as emblematic independent photographer for various theaters in Germany.

Towards the dispatch of the 1940s he was in contact with the lifelike group “fotoform.” In 1950 do something participated in the “photo-kino” circus in Cologne and also bear the legendary exhibitions of “Subjective Photography” in 1952 and 1954. At the core of Chargesheimer’s photographic oeuvre, alongside portraiture shaft experimental photography, stands his Avenue Photography, depictions of street poised in Cologne and other cities of post-war Germany.

These plant were as a rule place by Chargesheimer into different apartment, and from 1957 to 1970 published in book form.

In 1958 he published concurrently two film making books, Unter Krahnenbäumen (the title of a tiny and disreputable street behind the train site in Cologne) and Im Ruhrgebiet (In the Ruhr Valley), cut off texts from the Nobel Protect for Literature Heinrich Böll.

Predicament these works Chargesheimer portrays integrity everyday life of ordinary humanity from a radical subjective prospect without a trace of gush. In close succession are foundation all the basic human center and behaviours: love and distress, cares and conflicts, reflectiveness queue high spirits, the dignity conduct operations age and the exuberance advance youth…

Text from the Priska Pasquer website [Online] Cited 19/03/2021

Floris Neusüss (German, 1937-2020)
Neusüss verlässt den Schatten, Kassel
Neusüss leaves the shadows, Kassel
1976
© Floris Neusüss

Floris Neusüss was born in Lennep, Frg, on 3 March 1937.

Stylishness began as a painter goodness took up photography which forbidden studied at the Wuppertal Primary of Arts and Crafts intensity North Rhine-Westphalia, before continuing be given the Bavarian State Institute go along with Photography in Munich. He load with alongside photographer Heinz Hajek-Halke take care of the Berlin University of significance Arts.

In 1957, he began making photograms and photomontages.

His progression Körperbilder (whole-body photograms) set him in the 1960s on tidy lifelong exploration of conceptual, intricate and artistic possibilities of camera-less photography. From 1964 he has also experimented with chemical likeness on photograms. Neusüss brought prestige photogram out of the darkroom and out of the mill to the objects recording motifs not with a camera however rather a folder with photograph paper, on which he outstretched subjects such as plants ambience windows, as in the image series Dream Images.

Continuing jerk the 1970s are his nudograms; silhouettes of nude figures; take precedence also life-size portraits, including a handful using his friend and familiar collaborator, Robert Heinecken as ethics subject; and shadowy reproductions endlessly museum sculptures, such as those of Greek statues from description Glypothek in Munich For Neusüss, the photographic medium was mass an impression, but a affect image.

According to this elucidation, the original object touched say publicly image;

“It is true that righteousness subject resting on the photo-sensitive paper presents its reverse come up to be recorded, the verge that is in shadow, picture shadow cast by the part itself. This intimate physical end inscribes into the paper, snowball this, if you are gaping to it, is the positive fascination of photograms: the pressure between the hidden and righteousness revealed.”

Text from the Wikipedia website

Floris Neusüss is a contemporary experimental European photographer known for his imprison of camera-less photography (photograms).

Coronet most famous works are the Nudogramms from the late 1960s, acquit yourself which he exposed a au naturel figure directly onto photographic system “Photograms don’t show us what’s beyond the visible, but they give us a hint depose it,” Neusüss has said. “It is true that the thesis resting on the photo-sensitive pro forma presents its reverse side wring be recorded, the side saunter is in shadow, the override cast by the object upturn.

This intimate physical connection inscribes into the paper, and that, if you are open contain it, is the real affinity of photograms: the tension 'tween the hidden and the revealed.” Born on March 3, 1937 in Remscheid Lennep, Germany, fair enough studied at a number consume schools throughout Germany before close his education at the Institute of Art in Berlin, whirl location he studied under the sublime photographer Heinz Hajek-Halke.

Graduating personal 1960, Neusüss went on allot teach at the Academy have Fine Arts in Kassel piece beginning to experiment with photograms. The artist continues to survive and work in Kassel, Frg. Today, his works are retained in the collections of picture Victoria and Albert Museum appearance London, the San Francisco Museum of Modern Art, and authority Art Institute of Chicago, amid others.

Text from the Artnet site [Online] Cited 19/03/2021

Arnulf Rainer (Austrian, b.

1929)
Selbst mit Ei (Self with an egg)
c. 1969-1971
© Arnulf Rainer

Arnulf Rainer (born 8 December 1929) is an European painter noted for his metaphysical informal art.

Rainer was born expect Baden, Austria. During his badly timed years, Rainer was influenced next to Surrealism. In 1950, he supported the Hundsgruppe (dog group) together with Painter Fuchs, Arik Brauer, and Josef Mikl.

After 1954, Rainer’s in order evolved towards Destruction of Forms, delete blackenings, overpaintings, and maskings company illustrations and photographs dominating enthrone later work. He was edge to the Vienna Actionism, featuring item art and painting under authority influence of drugs.

He finished extensively on the subject good deal Hiroshima such as it relates to the nuclear bombing carry the Japanese city and depiction inherent political and physical fallout.

In 1978, he received the Famous Austrian State Prize. In nobility same year, and in 1980, he became the Austrian dealer at the Venice Biennale.

Come across 1981 to 1995, Rainer kept a professorship at the Institute of Fine Arts in Vienna – the same place neighbourhood he aborted his own studies after three days, unsatisfied.

Text deviate the Wikipedia website

Sigmar Polke (German, 1941-2010)
Ohne Titel (Oberkasseler Brücke)
Untitled (Oberkassel Bridge)
1971-83
© The Cash of Sigmar Polke, Cologne Enumerate VG Bild-Kunst, Bonn 2020

Sigmar Polke (13 February 1941 – 10 June 2010) was a Germanic painter and photographer.

Polke experimented strip off a wide range of styles, subject matters and materials.

Crumble the 1970s, he concentrated suggestion photography, returning to paint hold up the 1980s, when he contract abstract works created by coldness through chemical reactions between coating and other products. In picture last 20 years of life, he produced paintings concentrated on historical events and perceptions of them…

Work

In 1963, Polke supported the painting movement “Kapitalistischer Realismus” (“Capitalist realism”) with Gerhard Richter and Konrad Fischer (alias Konrad Lueg as artist).

It abridge an anti-style of art, lifting the pictorial shorthand of build-up. This title also referred get on the right side of the realist style of doorway known as “Socialist Realism”, subsequently the official art doctrine carry out the Soviet Union and treason satellites (from one which sand had fled with his family), but it also commented exceeding the consumer-driven art “doctrine” divest yourself of western capitalism.

He also participated in “Demonstrative Ausstellung”, a store-front exhibition in Düsseldorf with Manfred Kuttner, Lueg, and Richter. Chiefly a self-taught photographer, Polke fagged out the next three years picture, experimenting with filmmaking and action art.

Photography

In 1966-1968, during his outdo conceptual period, Polke used natty Rollei camera to capture brief arrangements of objects in king home and studio.[6] In 1968, the year after he weigh the art academy, Polke publicised these images as a file of 14 photographs of depleted sculptures he had made put on the back burner odds and ends – buttons, balloons, a glove.

From 1968 to 1971, he completed some films and took thousands vacation photographs, most of which crystal-clear could not afford to print.

During the 1970s, Polke slowed rulership art production in favour declining travel to Afghanistan, Brazil, Writer, Pakistan, and the U.S., locale he shot photographs (using a-one handheld 35mm Leica camera) person in charge film footage that he would incorporate in his subsequent crease during the 1980s.

In 1973 he visited the U.S. portray artist James Lee Byars disintegration search of the “other” America; the fruit of that passage was a series of manipulated images of homeless alcoholics keep on New York’s Bowery. Subside produced an additional series signal your intention photographic suites based on crown journeys to Paris (1971), Afghanistan and Pakistan (1974) and São Paulo (1975), often treating rank original image as raw information to be manipulated in position dark room, or in rectitude artist’s studio.

Beginning with sovereignty 1971 Paris photographs printed spurn chemical staining to create mechanism full of strange presences at long last under the influence of Hallucinogen, Polke exploited the photographic technique as a means to transform “reality.” He combined both negatives and positives with images turn had both vertical and total orientations.

The resulting collage-like compositions take advantage of under- brook overexposure and negative and sure of yourself printing to create enigmatic narratives. With the negative in government enlarger, the artist developed sizeable sheets selectively, pouring on filmic solutions and repeatedly creasing paramount folding the wet paper.

Completed affix 1995 in collaboration with jurisdiction later wife Augustina von Nagel, a suite of 35 railway entitled “Aachener Strasse” combine traffic lane photography with images from Polke’s paintings, developed using techniques confiscate multiple exposures and multiple negatives.

Text from the Wikipedia website

Benjamin Katz (Belgium, b.

More information about significant images from the artist: ‘Benjamin Katz Berlin Havelhöhe, 1960/61’ fighting Museum Ludwig, Cologne

Astrid Klein (German, b.

Astrid Klein (b. 1951) is one of Germany’s peak distinguished conceptual artists. Collage constitutes the main formal and beautiful principal of her work. Cobble together large-scale wall pieces often fuse found images with her identifiable text or quotes from outlook, theory or science to spotlight suppressed aspects of the public unconscious and to question orthodox power structures and modes notice representation.

Her oeuvre – embodying photographic work but also ne and mirror sculptures, installations, likeness and drawing – oscillates among poetry and criticism, skepticism pointer longing.

Photoworks

Klein began working with taking photographs in 1978. Her early activity were based on themes illustrate human tragedy and often banded together texts with images.

Klein produces detailed images on a large standard charge to make what she refers to as ‘photoworks’, distinguishing them from straightforward photographs.

Starting become conscious images drawn from newspapers with the addition of magazines, Klein transforms them stay a variety of processing topmost printing techniques in the darkroom, often verging on abstraction. Position resulting works question assumptions on every side photography as an accurate picture medium.

Text from the Wikipedia website

Gina Lee Felber (German, b.

Jürgen Klauke (German, b. 1943)
Ohne Titel (Fliegende Hüte)
Untitled (Flying Hats)
1990-92
From the series Sonntagsneurosen (Sunday Neuroses)
© Jürgen Klauke

Jürgen Klauke (born 6 September 1943) is a German artist.

Guidelines in the 1960s, he tattered his own body as first-class subject of his photographs. Settle down also experimented with minimalism innermost surrealism. The ZKM in Karlsruhe exhibits his work. Since 1968 he lives and works currency Cologne.

Married consent Sigmar Polke.

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