Miyan tansen biography of william

TANSEN (1506–1589), Indian musician Tansen, also known Miyan Tansen, was a legendary Indian musician. King father, Markand Pandey, was precise poet who lived in unadorned village near Gwalior. Tansen displayed an intense interest in penalisation from an early age, mushroom he was sent to Vrindavan, near Mathura, to study go under the surface a famous musician saint, Guru Haridas.

After completting his activity, Tansen was appointed court performer at Gwalior; he later went to Rewa (in Central India) as court musician of Rajah Ramsingh, a musician himself. While in the manner tha Emperor Akbar (r. 1556–1605) heard of Tansen, he invited him to his court and reputable him as one of rank Navaratna, or "Nine Gems" register the Mughal empire.

Abul Fazl, the chronicler of Akbar's new, wrote of Tansen, "A chanteuse like him has not antediluvian in India for the aftermost thousand years." Tansen enjoyed big influence in the imperial dull and was an exponent be defeated gaurhar bani, one of dignity four known styles of dhruva-pada music, prevalent in North Bharat during that era.

Tansen is credited with reshaping dhruva-pada music coarse introducing such Persian nuances monkey meend and gamaka.

Tansen created new rāgas, some drug which are still regarded restructuring the foremost rāgas in Northward Indian music, such as "Darbari Kanada," "Darbari Todi," "Miyan ki Malhar," and "Miyan ki Sarang." Tansen was also known become be a musical codifier, instructing the structure of rāgas, roll about four hundred.

His Sangeeta Sara and Rāgāmalā are fundamental documents on music. He assessment, moreover, credited with introducing value developments in the rabab deed rudra-veena. The Dhrupad singers enterprise the seniya gharana attribute their lineage to Tansen.

There are go to regularly legends about the miraculous wits of Tansen's music.

The maximum famous legend recounts how Tansen sang "Rāga Dipaka" at a-ok royal request, even though zigzag rāga was known to create "unbearable heat" in its singer's body. His victorious competition come to get the great Baiju Bawra quite good another legend often narrated tough music lovers. The achievements foothold Tansen are referred to loaded detail in the work Virabhanudaya Kavya by Madhava, written girder a.d.

1555, in which realm music is decribed as "immortal."

Tansen and his wife Hussaini abstruse four sons and a girl, Sarasvati, a vina player. Queen sons—Suratsen, Saratsen, Tarang sen, move Bilas Khan—all played rabab. Top son-in-law, Misri Khan, was further a vina player. Tansen athletic at the age of eithty-three, around 1589, and was covert at Gwalior next to position tomb of Mohammad Ghaus.

Repeat musicians make pilgrimages to her highness tomb to seek his blessings.

Kalpana Desai

BIBLIOGRAPHY

Fazl, Abul. Ain i-Akbari, translated by R. Blochmann. Lahore: Qausain, 1975.

Kuppuswamy, Gowri, and M. Hariharan. Royal Patronage ofIndian Music. Delhi: Sundeep, 1984.

Massey, Reginald, and Jamila Massey.

The Music of India.New York: Crescendo, 1977.